Pictures from a Camera

[9,999 people at an uprising. Image by Rheim Alkadhi] [9,999 people at an uprising. Image by Rheim Alkadhi]

Pictures from a Camera

By : Rheim Alkadhi ريم القاضي

Here in this region, amid the initial, proven, lasting fervor that sends our bodies into perpetual (welcome) disturbance; from these variously perplexing, disappointing, exhilarating, terrible, or inspired moments—from these moments  on, we see ourselves on display, and we shed our museums of obsolescence, and in the truest effort to stand up, we are uniquely reshaped.

How to compensate for so many lost hours, years, decades of looking at our lives through the lens of wretchedness? And now that we are capable of naming our past, how could we possibly reverse these hopes, these mad euphorias, so immediate, so newly free of fear, and how could we possibly tire from the prospect of a continuingly inheritable future (so unknown, yet so plausible - the future - so simple an aspiration, yet so brutally impeded by authoritarian and military repression, militaries themselves clogged by obsolescence)?

We are not always young, wars cannot be overcome like malaise, residues of occupation corrupt ordinary human intimacy, wealth is accommodated on the backs of the poor, crude slices along artificial lines, generation of dogma-counter-dogma, driving citizenry to disrepair, to despair, to flee, to seek liberation, to become literate, to seek civil society, pouring into the streets on which tread already the feet of billions seeking emancipation.

However fleeting, and when one does feel absolutely free, in these continuing times, heretofore uncharacteristically contemporary (because this "we" has never been such a contemporary of the present), there will be, there have been, losses, but there will never be regrets; and so we press forth and firm.

Moments like ours can be collected in the body of a camera.

 

 

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Nighttime scene in a mixed Berber-Arab douar. Car moves forward. 

 

 

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Missing text in a museum display.

 

 

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 Clearing in an olive grove, North African countryside.

 

 

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Clearing in an olive grove, seen through the car door.

 

 

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An embrace in the olive grove-- after the harvest, before mobilization.

 

 

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Mobilization after the embrace.

 

 

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Military commander laughing nervously.

 

 

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Prediction exercises in the classroom.

 

 

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Hotel workers devising hand signals.

 

 

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9,999 people at an uprising.

 

 

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Velocity of our bodies undergoing transformation.

 

 

 

[Acknowledgments: al-Sha`b al-Maghribi and Dar al-Ma`mun for providing residence during this period. All images by Rheim Alkadhi]

 

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Far Outside Cairo: A Graffiti Campaign to Denounce the SCAF

This week a group of students from Mansoura, a city two hours north of Cairo in the Daqahliyya governorate, decided they wanted to respond to recent military brutality against demonstrators in the capital. Over the past week, and independent of any political movement or organization, the group launched an awareness campaign involving a barrage of anti-SCAF (Supreme Council of the Armed Forces) graffiti.

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As one of the organizers explained, it is not the first time that political graffiti has been sprayed around Mansoura, but it is likely the first time that it has been done on such a large scale, organized fashion.

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Above, one of the organizers looks over a tag just after it is completed. The text reads “My people, and I am free to make pee pee on them” with a soldier zipping his fly, a replica of one of the several images that have gone viral over the past week.

Below, on a pillar inside Mansoura University’s campus, a drug user is depicted with the text “addicted to freedom.”

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The same tag appears in several places throughout Mansoura University’s campus. Below is another example, carefully placed between older paint that reads “down with military rule.”

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Beyond these more creative tags, there is also the more straightforward. Below, one such piece simply proclaims “NO SCAF” (Supreme Council of the Armed Forces):

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But graffiti was not the only thing the campaign had in mind. As one organizer explained, part of raising awareness about violence in Cairo involves dispelling ongoing rumors and conspiracy theories – some of which go as far as blaming activists and foreign elements of provoking, and even elaborately staging, much of the military abuse. To this end, a projector accompanied by a compilation of video clips was brought to various locations for anyone willing to endure a stream of violent attacks on demonstrators.

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At the city’s municipal center, the graffiti campaign continued. Below, students make their mark directly on the government building.

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Meanwhile, in front of the same building, a small press conference is held, attended by several Mansoura political groups. A statement is read denouncing the military’s violence and announcing the various groups’ participation in a Friday demonstration against the military council. Below, a banner held at the press conference displays several recent images from Cairo, the most prominent of which is the now infamous image of the girl in the blue bra accompanied by the word “Liars,” as published on the front cover of Tahrir News just a few days earlier. The text on the top of the banner reads “What are you waiting for? For this to happen to your sister?”

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Elsewhere on the municipal building, an image of the late Ahmed Zaki, an iconic Egyptian actor, stares down the SCAF with the message “We will get our revenge, military council.”

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Interestingly, the police, seen below, do not seem to mind the surrounding graffiti ‘assault’ on their city’s property.

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As the students continue tagging various places in Mansoura, with relatively little resistance, an increasing number of people want to help out. Below, a member of the Youth of the Square Movement admires one of the stencils.

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On Thursday morning, the campaign, in its third day, is excited to use a new stencil that was emailed in from a friend in Mit Ghamr, a small city also located in the Daqahliyya governorate. Below, the stencil is carefully cut out with a box knife.

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And this is what it looks like when it is sprayed out.

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The graffiti, a silhouette of the woman in the blue bra being dragged by the military, reads “Would you accept this for your mother?? Would you accept this for your sister??”

Below, a piece of graffiti surrounded by campaign flyers reminds us that all of this comes in the context of ongoing parliamentary elections; Mansoura will be voting on 3 and 4 January. (Click here for a photo essay on electoral campaigning in Mansoura)

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After a long three days, a few organizers from the campaign take a break, sitting above one of their tags outside the School of Medicine at Mansoura Univeristy.

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